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L’atelier intérieur du musicien
Max Graf
En 1910, après dix années de travail avec Freud et la Société du mercredi, Max Graf propose une théorie de la création musicale qui fait une large place au corps et à la sexualité. Le silence qui l’accueillit alors annonce-t-il l’embarras dans lequel la psychanalyse s’est sans cesse trouvée, depuis, par rapport à la musique ?
Coéd. Buchet-Chastel/EPEL
Date de parution : novembre 1999
267 pages
ISBN : 2908855453
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